CANADIAN TOURING AND SESSION BASSIST
Post Audio - Sound Design
Amplitude Films specializes in professional on-site recording, post audio mixing, mastering and soundtrack for film, television, radio, podcasts and social media marketing initiatives - offering our clients dynamic in-house production and making ourselves available 24 hours a day, seven days per week to ensure your project is completed in a timely manner and well within your budget.
We look at each situation in the context of the project and are always prepared to cover multiple situations that may arise - its our investment to you and ourselves.
And we will always offer a competitive price.
We are well rounded company with many years of experience in the following:
* on location sound
* foley
* composing, recording and licensing of original soundtrack
* audio mixing and mastering
* automated dialogue replacement
* audio restoration and cleanup
* voice over talent
It is the smaller things that amount to huge things - offering our clients a password protected page that is used to share our work flow - real time collaboration.
The first step is always taking a look at new projects together to brainstorm a creative direction for the sound and discuss any particular challenges that we may face. Every production is unique and making a plan tailored to each project is extremely important to us.
Just contact us to discuss your audio production solutions.
Bass players, if you're not happy with the way your tracks are sounding, just send an example to us (MP3 or WAV), and we would be more than happy to assist in designing your signature sound for the project, and ensure your tracks are nothing short of epic.
Location Sound Design
Amplitude Films also specializes in on-location sound recording.
Our field equipment consists of Zoom F8n field recorders, various shotgun, omni-directional, cardioid and lavalier mics.
For an indoor shoot environment - we can also utilize our on-set stationary set up, running field recorders into a digital audio workstation (Pro Tools Ultimate), adding a Zoom L-20 Livetrack mixing console (secondary interface), with various memory card - drive backup.
Once the edit is final, or locked, we can then work on the sound files in our studio - providing you with an amazing finish - since taking care of the audio from field to mix and master will be both cost, and time saving for your project. We utilize post audio suites from Izotope (Rx-9 Advanced, Neutron 3 Advanced, Ozone 9 Advanced, Dialogue Match and Nectar 3 Plus), also various Waves suites including Broadcast & Production and NX Ocean Way Nashville - all through our Zoom L-20 Livetrack interface.
We also have our own editing suite utilizing Adobe Premier Pro CC2020, and Blackmagic Design Davinci Resolve 17 software.